{"product_id":"authentic-japanese-sword-for-sale-shinto-era-wakizashi-yoshitake-nbthk-tokubetsu-hozon-token-tokubetsu-kicho-token-certificate-tozando","title":"Authentic Japanese Sword for Sale - Shinto Era Wakizashi - Yoshitake, NBTHK Tokubetsu Hozon Token\/Tokubetsu Kicho Token Certificate | Tozando","description":"\u003ch2\u003eAntique Japanese Wakizashi (long wakizashi), signed Izumo Daijō Fujiwara Yoshitake (出雲大掾藤原吉武) — early Edo period (Enpō era), Yamashiro — NBTHK Tokubetsu Hozon Tōken, with an earlier NBTHK Tokubetsu Kichō Tōken — a robust, wide blade in shirasaya with sayagaki\u003c\/h2\u003e\n\u003ch3\u003eSigned long wakizashi by the Kyoto master Izumo Daijō Fujiwara Yoshitake · finely packed ko-itame with thick ji-nie in the Yamashiro manner · a broad notare-with-ko-gunome temper alive with sunagashi and kinsuji · both-era \"double\" NBTHK papers · bō-hi on both faces · with a sayagaki\u003c\/h3\u003e\n\u003cp\u003eA sword of the very highest trust and evaluation: it carries \"double\" NBTHK certification, spanning from a \u003cem\u003eTokubetsu Kichō Tōken\u003c\/em\u003e (\"Especially Precious Sword\") designation of Shōwa 44 (1969) to the higher \u003cem\u003eTokubetsu Hozon Tōken\u003c\/em\u003e rank of Reiwa 4 (2022) — proof that, across more than half a century and the changing standards of appraisal, it has been consistently held in high esteem. This is a commanding long wakizashi by \u003cem\u003eIzumo Daijō Fujiwara Yoshitake\u003c\/em\u003e, a master who worked in Yamashiro province (present-day Kyoto) in the Enpō era (1673–1681) of the early Edo period. Its magnificently robust figure, breathtaking at a glance, is the very essence of Yoshitake — counted one of the \"Five Early Kyoto Masters\" — and conveys the exceptional discernment of the patron who commissioned it.\u003c\/p\u003e\n\u003ch3\u003eWorkmanship and condition\u003c\/h3\u003e\n\u003cp\u003eWith virtually no loss from re-polishing, the blade boasts astonishing soundness — essentially flawless. The \u003cem\u003ejigane\u003c\/em\u003e is a finely, minutely packed \u003cem\u003eko-itame\u003c\/em\u003e, over which thick \u003cem\u003eji-nie\u003c\/em\u003e gather, bringing out the refined beauty of the Yamashiro tradition. The \u003cem\u003ehamon\u003c\/em\u003e is broad, based on a \u003cem\u003enotare\u003c\/em\u003e mixed with \u003cem\u003eko-gunome\u003c\/em\u003e; the temper edge (\u003cem\u003ehabuchi\u003c\/em\u003e) is bright and utterly clear, and within the edge \u003cem\u003esunagashi\u003c\/em\u003e and \u003cem\u003ekinsuji\u003c\/em\u003e \"activity\" appear freely in every direction.\u003c\/p\u003e\n\u003ch3\u003eForm\u003c\/h3\u003e\n\u003cp\u003eThe \u003cem\u003enagasa\u003c\/em\u003e is a little over 1 shaku 8 sun 7 bu (about 56.7 cm). With a moderate \u003cem\u003esori\u003c\/em\u003e and a \u003cem\u003esakihaba\u003c\/em\u003e that does not diminish, it is a grand, imposing blade. The deeply carved \u003cem\u003ebō-hi\u003c\/em\u003e on both faces preserves the blade's strength while reducing its weight, and at the same time serves as a design element that draws a vivid trailing image in motion. Taken in hand, it transmits its tremendous mass and Yoshitake's outstanding forging skill.\u003c\/p\u003e\n\u003ch3\u003eOn the smith — Izumo Daijō Fujiwara Yoshitake\u003c\/h3\u003e\n\u003cp\u003eHis real name was Kobayashi Hayato. Carrying on the line of the Mishina school, he is counted one of the \"Five Early Kyoto Masters\" (Yoshitake, Kunimichi, Sadakuni, Yoshimichi, and Kunitake) — a smith of real standing who received the honorary title of \u003cem\u003eIzumo Daijō\u003c\/em\u003e. Made in the Enpō era, the ripest period of his career, this piece shows Yoshitake's forging skill and artistry at their very height — a blade fully deserving to be called a representative work.\u003c\/p\u003e\n\u003ch3\u003eThe mounting and documents\u003c\/h3\u003e\n\u003cp\u003eThe blade comes in a fine \u003cem\u003eshirasaya\u003c\/em\u003e that safely protects and hands down the master's spirit. On the scabbard is a \u003cem\u003esayagaki\u003c\/em\u003e reading \u003cem\u003eIzumo Daijō Fujiwara Yoshitake\u003c\/em\u003e in vivid ink, reinforcing the certainty of the attribution — a sayagaki that is not merely a record but an immediate, intuitive testament to the smith's name and standing. The beautifully carved horn fittings and the silver-ground \u003cem\u003ehabaki\u003c\/em\u003e are likewise very carefully made.\u003c\/p\u003e\n\u003cp\u003eA magnificently robust long wakizashi born in the Enpō era, as the culture of Edo moved toward maturity — a truly outstanding work in which Yoshitake's skill is displayed to the full. A piece uniting this width, this soundness, and the sure backing of a double certification is a standout in the market; it will shine on, forever, as the crown of your collection.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Wakizashi (long wakizashi), shinogi-zukuri, with bō-hi on both faces\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSignature (mei):\u003c\/strong\u003e Izumo Daijō Fujiwara Yoshitake (出雲大掾藤原吉武)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCertification:\u003c\/strong\u003e NBTHK \u003cem\u003eTokubetsu Hozon Tōken\u003c\/em\u003e (No. 1019162, December 14, 2022 \/ Reiwa 4); and an earlier NBTHK \u003cem\u003eTokubetsu Kichō Tōken\u003c\/em\u003e (February 29, 1969 \/ Shōwa 44)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Early Edo period, Enpō era (1673–1681)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSmith \/ school:\u003c\/strong\u003e Izumo Daijō Fujiwara Yoshitake (real name Kobayashi Hayato) — Yamashiro (Kyoto), Mishina school; one of the \"Five Early Kyoto Masters\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eJigane:\u003c\/strong\u003e finely packed ko-itame with thick ji-nie; refined Yamashiro character\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHamon:\u003c\/strong\u003e broad notare mixed with ko-gunome; bright, clear habuchi with sunagashi and kinsuji\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlade length (nagasa):\u003c\/strong\u003e 56.7 cm \/ 22.31 in (a little over 1 shaku 8 sun 7 bu)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCurvature (sori):\u003c\/strong\u003e 1.27 cm (4 bu 2 rin)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWidth at base (motohaba):\u003c\/strong\u003e 35.1 mm (notably broad)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThickness at base (motokasane):\u003c\/strong\u003e 7.3 mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWidth at tip (sakihaba):\u003c\/strong\u003e 23.9 mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThickness at tip (sakikasane):\u003c\/strong\u003e 5.5 mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight (blade only):\u003c\/strong\u003e 680 g\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e superbly sound, essentially flawless, with virtually no polish-loss\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e shirasaya (plain wood resting scabbard) with a sayagaki (\"Izumo Daijō Fujiwara Yoshitake\"), carved horn fittings, and a silver-ground habaki\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTorokushō (Japanese registration) No.:\u003c\/strong\u003e Chiba 7304\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tozando Katana Shop","offers":[{"title":"Default Title","offer_id":53732268048747,"sku":"611-CBW007304","price":800000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/2178\/8069\/files\/chiba7304_yoshitame_1.jpg?v=1786941964","url":"https:\/\/japanesesword.net\/products\/authentic-japanese-sword-for-sale-shinto-era-wakizashi-yoshitake-nbthk-tokubetsu-hozon-token-tokubetsu-kicho-token-certificate-tozando","provider":"Tozando Katana Shop","version":"1.0","type":"link"}